The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2261

Lobster Cutlets a la Shelley, or with Cream Sauce

Cotelettes de Homard a la Shelley, ou a la Sauce a la Creme

Cook in a court bouillon (No. 38) one lobster of two and a half pounds, take out all the meat, cut one pound of this into three-sixteenths inch squares, add to it half a pound of cooked mushrooms cut the same as the lobster, and mix this salpicon with a veloute sauce (No. 415), reduced with mushroom essence (No. 392), and into which has been added a little meat glaze (No. 402); season, stir well over the fire, and when the preparation reaches boiling point, pour it into a vessel to get cold. Have a bottomless cutlet mold five-eighths of an inch high by three and three-quarters inches long and two inches wide; butter and lay it on a piece of buttered paper slightly larger than the mold, garnish the bottom and sides with a light layer of pike forcemeat (No. 90), set the salpicon in the center and cover with more forcemeat; poach this lightly, unmold and set it aside till cold, then dip it in beaten eggs, then in bread-crumbs; fry in clarified butter, drain and serve on napkins with favor frills (No. 10) and a separate lobster sauce (No. 488) containing chopped truffles.

With Cream Sauce.—Have a lobster croquette preparation (No. 880), mold it to the shape of a cutlet, bread-crumb and fry the sauce as for the above; when a fine color, dress the cutlets and garnish with favor frills (No. 10), serving them with a separate cream sauce (No. 454).

For the Modern Kitchen

This is a Delmonico's kitchen note rather than a home recipe: it assumes a brigade with velouté, fish forcemeat and lobster sauce already standing by, and it cross-references half a dozen other numbered preparations. The work is all in the mise en place; the assembly is quick.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and this entry shows the house style exactly: a luxury ingredient cut fine, bound in a reduced sauce, cased in a pale fish forcemeat, shaped to imitate something it is not, and sent out under a French name. Cutlets moulded from a salpicon were a standard nineteenth-century restaurant conceit — the diner gets the silhouette of a chop and the texture of a croquette. Ranhofer named a great many dishes for Delmonico's patrons and for figures in public life; à la Shelley is generally taken to be one of these personal dedications rather than a technique, and the book gives no explanation, as it rarely does. The numbered cross-references are the real signature of the volume: nothing here is meant to be cooked from a standing start, and the reader is assumed to have a stockpot, a forcemeat and a velouté already in hand.