The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2502

Garnishing of Eggs a la Develle

Garniture d'Oeufs a la Develle

Cut in two crossways seven or eight shelled hard-boiled eggs; use only the halves with the rounded ends and from them remove all the yolks and rub through a sieve; put this into a small vessel and add to it a little cold aspic jelly (No. 103); (scoop the whites out lightly). Pound the cooked meats of a small lobster, press through a sieve into a bowl and season with salt and a dash of cayenne; add first two spoonfuls of white chaudfroid sauce (No.596), then some mayonnaise sauce (No.606), and lastly a few spoonfuls of the cold jelly; stir this preparation on ice to harden, then take up sufficient of it with a spoon and fill the hollow egg-whites, smoothing the tops dome-shaped; lay them in the ice box; when cold take them in the hand one by one and dip into a chaudfroid sauce, but only on the garnished side and as far down as this begins; have the sauce hardened. Dress on jelly rings cut out with a pastry cutter, keeping the dish very cold. When the eggs are ready decorate the tops with fanciful cuts of truffles and a few small shrimp tails; dip them one by one in half-set jelly and stand them upright, each one inside of one of the jelly rings.

For the Modern Kitchen

This is a cold-buffet garnish from a nineteenth-century professional kitchen: stuffed egg halves coated in chaudfroid and set on discs of aspic. Everything hinges on temperature — each layer must be at the point of setting when it goes on, and the finished pieces must never warm up.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of what is usually given as some three decades as chef at Delmonico's in New York, and this entry belongs to a long series of garnishes whose entire purpose was to make a cold platter look architectural. Chaudfroid — literally "hot-cold," a sauce made hot and served cold, thickened with gelatin so it clings as an opaque coat — was the defining technique of the grand buffet in the decades after Carême, and aspic did the structural work that a mould or a stand does elsewhere. The suffix à la Develle is one of hundreds of proper-name tags in the book, such tags being commonly said to commemorate a patron, a colleague or an occasion whose identity Ranhofer did not bother to record; no documented origin for this one survives. What the recipe really shows is the labour available in a large restaurant kitchen of the period: a single decorative egg passes through sieve, mortar, ice bath, two dippings and a cutter before it reaches the platter, where it is one small unit in a display meant to be admired before it was eaten.