The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2595

Sweetbreads a la Mirabeau

Ris de Veau a la Mirabeau

Braise (No. 12) the sweetbreads first, and as soon as done put them in the press (Fig. 71) or under a light weight; cut them in two on their thickness; with a two inch in diameter pastry cutter cut out some round pieces, cover with blond chaudfroid (No. 596), and decorate each with a handsome rosette of very black truffles; cover over with half-set jelly, and range them on top of a macedoine salad (No. 2650), dressed with mayonnaise piled into a high dome; have a border of jelly croutons around, and serve tartar sauce (No. 631) separately.

For the Modern Kitchen

A cold buffet piece from Ranhofer's Epicurean, built entirely from cross-references. Nothing here is difficult, but almost every step depends on another recipe in the book, so the work is in the preparation before assembly.

A Little History

Sweetbreads, the thymus and pancreas of the calf, were a luxury item of the nineteenth-century American restaurant table, and Charles Ranhofer, chef at Delmonico's from 1862, gives dozens of preparations for them in The Epicurean (1894). This one appears not among the entrées but under garnishings for cold dishes, which tells you what it was for: a component of the elaborate cold buffet, coated in chaud-froid and glazed with aspic so it could sit on a decorated platter for the length of a supper without collapsing. The name à la Mirabeau is generally traced to the revolutionary orator Comte de Mirabeau and in classical French cookery usually signals anchovy, tarragon and olives; by Ranhofer's day such titles had loosened considerably, and here it marks little more than the truffle rosette and the formal presentation. The chaud-froid technique itself — a sauce loaded with gelatine, applied warm and served cold — was the backbone of grand cold cookery from Carême onward and fell out of fashion only when the mirrored buffet platter did.