The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2797

Potatoes, Marchioness

Pommes de Terre Marquise

Peel and cut up some raw potatoes; boil them in salted water, drain it off as soon as they are done and cover over with a clean cloth; let steam for a few moments in a slack oven, then remove and rub a few at a time through a sieve; put this puree into a saucepan, and for each pound stir in quickly one ounce of butter, five raw egg-yolks, salt, nutmeg, a pinch of sugar and two tablespoonfuls of good raw cream. Pour the preparation on a floured table, roll it into thick corkshaped pieces and cut these across in ovals two inches wide, three inches long and half an inch thick; range them in a copper baking pan with hot clarified butter and brown on both sides in the oven, turning them over while cooking.

For the Modern Kitchen

This is a duchesse-type potato paste, shaped and browned in butter rather than piped and glazed. Everything depends on how dry the potato is before the enrichment goes in.

A Little History

Charles Ranhofer's The Epicurean (1894) records the kitchen of Delmonico's in New York, and its potato chapter is essentially a catalogue of the French repertoire as it was practised in a large brigade: dozens of variations built from the same duchesse base of dried potato puree, butter and egg yolk, distinguished by shape, garnish or a single added ingredient. Naming them after ranks and titles - Marshal, Marquise, Duchesse, Dauphine - was a nineteenth-century convention rather than a claim about any particular marquise. In later French practice, as set down in the codified repertoire, pommes marquise came to mean duchesse mixture flavoured and tinted with tomato puree; Ranhofer's version has no tomato and is defined instead by its shaping and its pan-browning, a reminder that these names were not yet fixed when he was writing.