The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2799

Potatoes, Mellow

Pommes de Terre Fondantes

Prepare a few dozen small potatoes, giving them the shape of a pigeon's egg, all of uniform size; lay them in a sautoir with melted veal kidney fat, or good lard, and cook slowly while turning so that they color on all their surfaces; when done, press down slightly with a palette so as to flatten without breaking; they should now be oval-shaped. Pour off the fat from the pan and cover with butter; put in the potatoes, one beside the other, and keep them in the oven from ten to twelve minutes, to have them absorb the largest part of the butter while turning and basting; salt over and dress in a vegetable dish.

Another way is to prepare by first boiling olive-shaped potatoes, then crushing them one after the other in a cloth; place on a buttered baking sheet, pour slightly melted fresh butter over and color in a hot oven, basting at frequent intervals with the butter while cooking; dress in a vegetable dish.

For the Modern Kitchen

Two versions of the same idea: potatoes cooked gently in fat, flattened, then finished in butter until they are saturated with it. The word fondantes is a promise about texture, and it depends entirely on the butter stage being slow and generous.

A Little History

Charles Ranhofer published The Epicurean in 1894 after decades as chef at Delmonico's in New York, and the book is essentially the French professional repertoire of the period written out for an American kitchen with a large brigade. Fondant means melting, and the name describes the mouthfeel rather than any place or person; the same technique survives in restaurant kitchens as fondant potatoes, though today they are usually cooked in stock and butter rather than started in rendered suet. The two methods given here show how fluid such names were: one is a turned, flattened, butter-basted potato, the other is what a modern menu would call smashed potatoes. The use of veal kidney fat is a reminder that a nineteenth-century professional kitchen butchered whole animals and had a hierarchy of rendered fats on hand, each with its own accepted use.