The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2812

Potatoes, Viennese

Pommes de Terre Viennoise

To be made with the same preparation as Marchioness (No. 2797); divide it into balls, roll these on a table, covered with rice flour, to look like a Vienna loaf,--thick in the center and pointed at the ends. Imitate the gashed in the center of its length, egg over twice and cook in a hot oven. Serve on a folded napkin.

For the Modern Kitchen

A shaping-and-finishing recipe rather than a standalone one: Ranhofer assumes you have already made his Marchioness potato mixture (No. 2797), essentially a stiff duchesse — dry riced potato bound with butter and egg yolks, seasoned and sometimes enriched further. Everything here is about form and glaze.

A Little History

Charles Ranhofer, chef of Delmonico's, published The Epicurean in 1894 as a complete record of a great American restaurant kitchen, and its potato section runs to dozens of numbered variations on a handful of base preparations — duchesse, croquette, purée — differentiated almost entirely by shape. Pommes Viennoise belongs to that family: the same paste as Marchioness, moulded to mimic the pointed, slashed Vienna loaf, a bread that had become a byword for fine white baking after Viennese steam-oven methods spread through Europe and America in the second half of the nineteenth century. The joke, such as it is, is trompe-l'œil — a potato pretending to be bread — and it reflects a service style in which the garnish was expected to be recognised and admired at the table. Naming a potato after the Marchioness or after Vienna also let a kitchen list a long, varied menu without inventing new cookery, which is much of what the numbered sequence in this book records.