The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2854

Eggs au Miroir a la Provencal (œufs au Miroir a la Provencale)

Pick out three or four even-sized tomatoes, cut them through their thickest part in two, suppress the seeds and put them into a pan with some oil; season and cook on both sides until they have reduced their moisture, then take them from the pan and dress on a serving dish capable of being put in the oven; bestrew with chopped parsley mingled with a bit of garlic and a pinch of dry bread-crumbs, pour over some oil and let brown for ten minutes; remove and lay on top of each tomato one miroired egg cut round with a pastry cutter two and a quarter inches in diameter.

For the Modern Kitchen

Ranhofer assumes you already know how to make œufs au miroir from the preceding entries; this page is really a tomato garnish with a disc of baked egg set on top. The assembly only works if the tomatoes are properly dry before they go under the browning heat.

A Little History

Au miroir is one of the older French names for what English cooks call shirred or baked eggs, the name generally traced to the shine that oven heat and basting fat give the surface of the yolk; Ranhofer devotes a long run of numbered recipes to the form, each distinguished only by its garnish, which is exactly how a nineteenth-century professional kitchen was organised — one technique, dozens of dressings, all filed for quick reference by the man calling orders. The à la Provençale tag in this period usually signals tomato, garlic and olive oil, the three things Parisian kitchens associated with the Midi, and the parsley-garlic-crumb mixture strewn over the tomatoes is a straightforward persillade of the sort still used on Provençal baked vegetables. Ranhofer had cooked in France before taking over the kitchens at Delmonico's in New York, and The Epicurean (1894) was his attempt to set down the whole repertoire in one volume; recipes like this one, which lean on a cross-reference rather than repeating themselves, show that the book was written for cooks who would read it as a system rather than page by page.