The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3140

Carolina Border with Champagne

Bordure Caroline au Champagne

Make an apricot "pain" preparation (No. 3194) a little thicker than usual, into which add the same quantity of rice cooked with cream and vanilla (No. 160), and a few spoonfuls of whipped cream (No. 50); pour it into a Savarin mold, incrusted in pounded ice. Beside this, prepare and mold a macedoine jelly with champagne the same as for No. 3179, having it in a dome the same diameter at the bottom as the hollow in the Savarin mold; put this macedoine in the ice-box to stiffen. One moment before serving unmold the border on a cold dish and in the center place a pad of Genoese cake (No. 3239), reaching three-quarters to the top; into this unmold the champagne macedoine and surround the base with a circle of croutons made of ribboned jelly (No. 3184).

For the Modern Kitchen

This is an assembly rather than a recipe: Ranhofer expects you to have five other numbered preparations in hand before you begin. Read it as a diagram — a molded rice-and-apricot ring, a cake plug, a dome of champagne jelly, and a border of jelly dice.

A Little History

Charles Ranhofer published The Epicurean in 1894 after some three decades as chef of Delmonico's in New York, and it reads less like a cookbook than a service manual for a restaurant that could be asked for any of a thousand dishes on a night's notice — hence the dense cross-referencing, where a single entremets calls out six other numbers. Borders of this kind, a molded ring filled at the last moment with something contrasting, were a staple of the service à la russe dining room: they arrived whole, were seen by the whole table, and were portioned at a sideboard. The Savarin mold that shapes it takes its name from the savarin cake, whose dedication to Brillat-Savarin is traditional rather than documented, and the champagne jelly at the center is the period's plainest statement of luxury — sparkling wine used not as drink but as a setting medium, its cost visible in every trembling spoonful. The name "Caroline" is one of many proper-name garnishes in the book whose original honoree Ranhofer does not explain, and which are best read as house nomenclature rather than history.