The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3287

Apricots with Cream of Almonds

Abricots a la Creme d'Amandes

Line a few tartlet molds with fine foundation paste (No. 135); fill them level to the top with almond frangipane (No. 44), and lay a well-drained compoted half apricot (No. 3691) over each; bake in a moderate oven, and when done and partly cold dress an imitation apricot made of Italian meringue (No. 140) on top of each one. Place them again in the oven to dry the meringue, and then let cool. When cold glaze over with a yellow rum icing (No. 102), fasten a stalk of angelica into each, and rub each one with a little carmine on cotton to color it.

For the Modern Kitchen

Ranhofer writes in shorthand, assuming you have his numbered component recipes to hand. Translated, this is an almond-frangipane tartlet topped with a poached apricot half, capped with a piped meringue dome and glazed to look like a whole apricot.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of some three decades as chef at Delmonico's in New York, and this recipe shows the house style exactly: a small, technically layered pastry whose whole purpose is to look like the fruit it is made from. Trompe-l'oeil sugar work of this kind descends from French confectionery practice of the eighteenth and nineteenth centuries, where meringue, marzipan and pastillage were routinely modeled into fruits, and it carried over into grand hotel kitchens. The entremets heading is worth noting: the word originally meant a dish served between courses, but by Ranhofer's day it had settled on the sweet course, and his "Small Cakes for Entremets" chapter is essentially a petits-fours list. The reliance on numbered cross-references, rather than a self-contained ingredient list, is also of its period, addressed to a professional who already had frangipane and fondant standing ready in the pastry section.