The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3597

Swan with Reeds and Rushes

Le Cygne aux Roseaux

Have an oval bottom made of office paste (No. 143) or wood, half an inch thick, fifteen inches long and eleven wide; glaze it with royal icing (No. 101) of a soft green color and place around an inch and a half from the border a band of pistachio nougat (No. 3622) two and a half inches high, on top of this a platform of sugar cooked white to "crack" (No. 171), and the same size as the band; garnish around the stand with reeds, rushes, etc., made of pulled sugar. Mold a swan with out-stretched wings and neck in lemon virgin cream (No. 3459), the under part of the wings in coffee (No. 3460) and the body in vanilla (No. 3458); pack it in ice and freeze for two hours. Unmold and lay this swan in the center of the platform, imitating the eyes with small dry currants. This dish can be garnished all around with flowers made of ice cream placed in small paper cases.

For the Modern Kitchen

This is an assembly plan for a centerpiece, not a formula: Ranhofer assumes you already have his paste, nougat, pulled sugar and ice cream recipes in hand. What follows translates the structural instructions.

A Little History

Charles Ranhofer ran the kitchens at Delmonico's for over thirty years, and The Epicurean (1894) is the record of what a first-class American restaurant of the Gilded Age could put on a table. The pièce montée — a mounted, architectural centerpiece of sugar, nougat and ice — descends from the French repertoire codified by Carême in the early nineteenth century, where the confectioner was expected to work as a builder in miniature. The swan appears among these subjects, and it suits the frozen medium, since outstretched wings and a curved neck are the kind of form a mold can carry. The three flavors here are lemon, coffee and vanilla. Neighboring entries in this section — a rabbit in surprise, a helmet — show the same logic: the ice was as much scenery as dessert, carried in whole, admired, and only then cut.