The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 900

Croustades Perretti

Croustades a la Perretti

Have ready two pounds of noodles (No. 142), cook this for four minutes in boiling, salted water, drain well and return it to the saucepan; season, and finish with six ounces of butter and four ounces of parmesan in such a way as to obtain a compact preparation. With this fill some buttered six sided molds, cool them on ice, unmold, dip them in beaten eggs, roll them in white bread-crumbs, and smooth the surfaces with the blade of a knife, mark them on one side with a pastry cutter, three-quarters of an inch in diameter, and ten minutes before serving plunge them into hot fat to attain a golden color, drain, and empty them, then fill the insides with a salpicou of chicken and mushrooms, mingled with some supreme sauce (No. 547), and chicken glaze (No. 398); put back the cover previously removed, and dress them to serve.

For Talliarines proceed the same as for the noodles, only use a salpicon of olives cut in small three-sixteenth inch squares, some mushrooms, foies-gras, brown sauce (No. 414) and tomato sauce (No. 549).

For the Modern Kitchen

Ranhofer's method is essentially a fried noodle timbale: buttered, cheesed pasta pressed into molds, chilled solid, breaded, deep-fried, then hollowed and filled. Everything depends on the chilling step, and the recipe assumes you own the rest of the book.

A Little History

Charles Ranhofer published The Epicurean in 1894 after decades as chef at Delmonico's in New York, and the book is organized as a working kitchen's reference, which is why nearly every recipe points elsewhere by number rather than repeating itself. The croustade in this period meant any edible case to be hollowed and filled, most often bread or pastry, and making one out of pressed noodles is a French kitchen's trick for turning a cheap starch into a formal service piece. The "Talliarines" variant is most likely tagliarini or taglierini, spelled by ear (compare the Spanish tallarines), and its filling of foie gras, olives and tomato points to the Italian-inflected side of the Delmonico repertoire, which also gives the neighboring entries their gnocchi and their Piedmontese label. Naming dishes for patrons, performers and visiting dignitaries is often said to have been standard practice in restaurants of the era; who Perretti was is not recorded in the book itself.