The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Consomme, Colombo

Prepare a consomme, strain it into another saucepan and keep simmering. Lightly butter four individual pudding moulds. Break two fresh eggs in a bowl, add the yolk of another, thoroughly beat them with a whisk, then pour in one and one-half gills of cream. Season with three saltspoons salt, one saltspoon cayenne pepper and half a saltspoon grated nutmeg, and sharply mix until well thickened. Then strain half of the preparation into two moulds. Reduce a gill of tomato sauce in a saucepan, to the quantity of a tablespoon and add to the bowl. Mix well then strain this into the other two moulds. Place the four moulds on a small tin, pour hot water in the tin up to half the height of the moulds, set them in the oven with the door open for ten minutes. Remove, let slightly cool off, unmould, cut them in slices and place in a soup tureen. Pour the consomme over. Sprinkle the leaves from two branches of chervil over and serve.

For the Modern Kitchen

This is a clear soup with a royale garnish — two savoury custards, one plain and one tomato, baked in a water bath, unmoulded and sliced into the tureen. The custard is the whole dish; the consommé is the setting.

A Little History

The royale is one of the standard garnishes of French classical soup cookery: an unsweetened baked custard, cut into shapes and dropped into a clear consommé, giving it a little richness without clouding the broth. Cooks varied it by what went into the custard — tomato, purée of peas, chicken, carrot — and the resulting soups were then named, often after places, patrons or the chef's own fancy, which is how a book like this ends up with dozens of consommés distinguished by little more than their garnish and a proper noun. The two-colour treatment here — half the custard left pale, half tinted and flavoured with reduced tomato — belongs to the same impulse, the appearance of the garnish in the tureen being no small part of the point.

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