High-Class Cookery Recipes

The National Training School of Cookery's own recipes, c.1906 — high-class dishes as taught, course by course, under royal patronage.

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Salt and Pepper (One teaspoonful of chopped)

ム One teaspoonful of chopped Parsley.

Half a gill of Cream.

Put the bones and fins of the sole into a saucepan with half a pint of water and milk, and put it on to boil. Fold the fillets loosely, put them on a greased tin, sprinkle with pepper and salt, and squeeze some lemon-juice over them. Cover with a buttered paper, and place in a moderate oven for about six minutes. Melt the butter in a stewpan, add the flour, mix well. Strain and pour in the fish-stock made from the bones, and boil for ten minutes. Then add salt, pepper, cream, lemon-juice, and the chopped parsley.

Arrange the fillets in a circle on a dish, and pour the sauce over them.

For the Modern Kitchen

An ingredient list truncated by the printer, but the method is complete: fillets of sole baked under paper, sauced with a fish velouté finished with cream, lemon and parsley. The quantities of butter and flour are missing, so work from the volume of stock.

A Little History

This belongs to the Anglo-French repertoire that dominated late-Victorian and Edwardian professional kitchens, where filets de sole in one guise or another was a standard fish course at a formal dinner. The technique is typical of Escoffier-era practice: bones and trimmings into the pot first for a fumet, the fumet into a butter-and-flour roux to make a velouté, the velouté finished with cream and acid at the last moment. Dover sole was the prestige flatfish of the British table, firm enough to fillet, fold and hold its shape under a sauce, and improved rail transport and ice widened its London market. The instruction to arrange the fillets "in a circle on a dish" belongs to the era of service à la russe, when courses came to table in sequence and appearance carried considerable weight. The garbled title and the stray teaspoonful of parsley look like artifacts of the printing rather than the author's intention.

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