The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1182

Kingfish a la Figaro

Kingfish a la Figaro

Raise the fillets from the fish, remove the skin, pare and cut them lengthwise in two; season each piece with salt, pepper and lemon juice, let marinate for one hour then dip them in beaten eggs, bread-crumbs and fry to a fine color. Dress on a napkin and garnish the top with fried parsley and around with lemon. Serve separately mayonnaise sauce (No. 606) with tomato puree (No. 730) strained through a very fine sieve and thoroughly drained, then add to it very finely cut up chervil.

For the Modern Kitchen

A straightforward breaded fry, but Ranhofer assumes you have his sauce chapters at hand and a cook who knows how to hold frying fat steady. A few notes fill the gaps.

A Little History

Charles Ranhofer ran the kitchens at Delmonico's, and The Epicurean (1894) is the record of what that restaurant actually served, which is why an unglamorous inshore fish like kingfish gets a run of variations here. Whiting was cheap and abundant along the Atlantic coast, and the French kitchen's habit of dignifying humble fish with a dressing and a garnish name is on full display. The origin of "à la Figaro" is not settled — Beaumarchais's barber, Rossini's opera and the Paris newspaper have all been proposed — but in nineteenth-century French cookery the name generally signals a tomato-tinted, herb-flecked sauce, the same logic that gives us sauce Andalouse. Garnishes were commonly named for operas, public figures and performers in this period. The neighbouring entries in this section are No. 1181 à la Bordelaise before it and No. 1183 à la Montgolfier after, the latter usually taken to refer to the balloonists. The dish itself is the everyday backbone of a fish course: marinate, crumb, fry, and let a cold sauce do the work of distinguishing it.