The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1458

Tenderloin of Beef a la Royal—Whole

Filet de Boeuf a la Royale--Entier

Prepare tenderloin as described a l'Ambassade in No. 1441; lard the interior with pork, ham and truffles, each cut into lardings three-eighths of an inch square. When the fillet is cooked, drain the gravy, skim off the fat, and set it into another saucepan with some broken game bones; simmer for one hour, then strain and add to it its equal quantity of espagnole (No. 414); reduce this sauce to proper consistency, being careful to remove all the grease and scum arising to the surface; put aside a third part of it, and add to the two-thirds remaining some grooved or turned mushrooms (No. 118); forcemeat quenelles round-shape and truffles cut olive-shaped. Pare and glaze the tenderloin, and dress it on a rice foundation; place the garnishing around in clusters and decorate the tenderloin with five skewers, made of cocks'-combs and truffles. Sauté a little minced raw ham in butter, moisten with a gill of Madeira wine and the third part of the gravy kept back from the rest; boil, skim, drain through a sieve and serve in a separate sauce-boat.

For the Modern Kitchen

This is a set-piece from a professional kitchen that assumed a standing brown sauce, a larder of truffles and cocks'-combs, and a brigade to assemble it. The cooking of the beef is the easy part; the recipe is really a garnish and sauce plan.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and it is written for cooks who already worked in a kitchen like his. The suffix à la Royale was one of the standard classical garnish names of the period rather than a reference to any particular monarch, and in French practice it generally signalled quenelles, mushrooms and truffles. The elaborate finish is often said to descend from an older style of table display, where a dish came to the table as a display piece: the rice socle, the fluted mushrooms, the truffles turned to the shape of olives and the five ornamental skewers all existed to be seen from across the dining room before anything was carved. Escoffier's generation, working a decade or two later, pared exactly this kind of presentation back. What remains entirely usable is the sauce logic: pan gravy fortified with game bones, married to an equal quantity of espagnole, with a third held back and finished separately with ham and Madeira so the plate carries two related but distinct brown sauces.