The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1854

Chicken Fillets or Breasts a la Toulouse

Filets ou Ailes de Poulet a la Toulouse

Pare twelve raw chicken fillets; take off the minion fillets, cut in the large fillet a deep gash lengthwise without separating the pieces, turn the meat over so that the gashed part is now outside and fill in the inside with a well mixed quenelle forcemeat (No. 89) and foies-gras that has been passed through a sieve half of each, having as much as would make an inch and a half diameter ball; envelop well this dressing in the flesh of the fillet, shaping them into pretty ovals and well rounded on the top (Fig. 364); put in more or less forcemeat, according to the size of the fillet so that when they are finished they look all alike; lay on top of each of these a small minion fillet streaked by cutting six incisions and placing in each one a thin slice of truffle proportioned to the size of the minion fillet. Cover the bottom of sautoir with clarified butter, lay over the chicken fillets at equal distances apart, pour over more melted butter and cover with a strong buttered paper; cook them in a slow oven for twelve to fifteen minutes, drain, trim with favor frills (No. 10) and dress in a circle; pour into the center a Toulouse garnishing (No. 766).

For the Modern Kitchen

This is a composed restaurant dish from Ranhofer's Delmonico's kitchen, and it assumes a brigade with forcemeat, truffles and garnish already at hand. The technique is straightforward once the cross-references are unpacked.

A Little History

"A la Toulouse" is one of the nineteenth-century garnitures generally traced to a place name, though the attribution is traditional rather than settled, and codified in Paris kitchens: white poultry meat, quenelles, mushrooms and truffles bound with a pale cream sauce, usually served in a vol-au-vent or, as here, inside a ring of set pieces. It appears in The Epicurean (1894) because Charles Ranhofer was cataloguing the full Delmonico's repertoire for a New York clientele that expected French grande cuisine, and dishes like this one, where a boned breast is opened, stuffed with foie gras forcemeat, reshaped into an identical oval and capped with an inlaid tenderloin, are exacting in their uniformity. The cross-referencing is the book's method: forcemeats, garnishes and frills are numbered once and called on throughout, which tells you the volume was written for cooks working in a staffed kitchen rather than for a household.