The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2614

Turkey a la Stevens—Stuffed

Dinde Farcie a la Stevens

Fry one onion in two ounces of butter with four ounces of fresh mushrooms chopped up; season with salt, nutmeg, fine pepper, parsley, thyme and bay leaf; moisten with half a pint of white wine, and set it on a slow fire to let fall to a glaze, then dilute with very thick and well-reduced allemande sauce (No. 407), strained through a tammy and cooled off. Put this into the mortar gradually with the same amount of chicken quenelle forcemeat (No. 89), and with a spoon mix in some truffles and red beef tongue, cut in three-sixteenths of an inch squares, and pistachios. Bone the breast of young turkey, fill the empty space with the above dressing, truss it and wrap it up in several sheets of buttered paper, then put it to cook in an oval-shaped saucepan lined with bards of fat pork, and moisten to half its height with a mirepoix and white wine stock (No. 419); it requires fifteen minutes cooking for each pound of turkey when stuffed. Half an hour before serving untie the turkey and let it assume a fine color., then remove and lay it on a dish to cool off. With the stock prepare a jelly and use for making some small aspics of foies-gras (No. 2412), molded in timbale molds (No. 2, Fig. 137), and garnish around with them, placing them on chopped jelly and surround with jelly croutons, and stick on the top three or five hatelets; trim the drumsticks with favor frills (No. 10), then serve.

For the Modern Kitchen

A cold buffet centerpiece from Delmonico's: a young turkey boned at the breast, packed with a mushroom-and-quenelle stuffing, braised in wine stock, then chilled and dressed in aspic. Most of the work is in the cross-references, which assume you have a kitchen brigade behind you.

A Little History

This comes from Charles Ranhofer's The Epicurean (1894), the enormous record of his years as chef at Delmonico's in New York, where dishes were often named for the patrons who ordered or inspired them, so that the list of dishes à la such-and-such reads in places like a guest list of Gilded Age Manhattan. Who the Stevens of the title was is not stated; Ranhofer, as usual, offers no explanation, and any link to the hotel-keeping Stevens family or to the society hostess Marietta Stevens is speculation rather than established. The technique is pure grande cuisine of the period: a bird boned and reconstructed around a pale forcemeat studded with truffle, scarlet tongue and green pistachio so that each slice reads as a pattern, then set off with aspic and skewers. Cold work of this kind was a showpiece of the nineteenth-century buffet, judged as much on how it looked as on how it tasted, which is why this book carries a section devoted to garnishings for cold dishes.