The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 271

Puree of English Snipe, Plover or Woodcock a la Theo

Puree de Becassines, Pluviers ou becasses a la Theo

Remove the fillets from eight English snipe; with half of them make a quenelle forcemeat the same as explained for game forcemeat (No. 62), let the quenelles be made either with a teaspoon or else pushed through a pocket on a buttered sheet, in shapes of oval olives, and then poach them in boiling salted water; these quenelles are to be used for the garnishing. Put two ounces of butter into a saucepan with two ounces of chopped onions; fry them colorless, add the remaining fillets and carcasses, and when all is well browned, moisten with three quarts of broth and a quart of espagnole sauce (No. 414), let cook for thirty minutes, and despumate, which means to boil only on one side of the saucepan, and remove with a spoon all the fat and scum arising to the surface; then drain and remove most of the bones. Pound the carcasses and meats, dilute them with the broth, season and strain through a colander and afterward through a tammy; thicken when ready to serve with four ounces of butter divided into small pats, incorporating them in with a whip, until they are entirely melted; lay the quenelles in a soup tureen, and pour the very hot puree over.

For the Modern Kitchen

Ranhofer writes for a brigade with stock, espagnole and forcemeat already on hand; the soup itself is straightforward once those are in place. The whole thing is a game consommé thickened by pounded carcasses and finished with butter, so the quality of the broth decides the result.

A Little History

Charles Ranhofer published The Epicurean in 1894 after some thirty years as chef at Delmonico's in New York, and the game section reflects a period when wild snipe, plover and woodcock arrived at the market by the barrel from commercial gunners — a trade that collapsed only after the Migratory Bird Treaty Act of 1918 ended market hunting for migratory species. Suffixes like à la Theo were Ranhofer's habitual way of dedicating a dish to a patron, a performer or an occasion; this one may possibly honor Louise Theo, the French opérette singer who played New York in the 1880s, but the identification is only a guess, and Ranhofer never explains his dedications. What the recipe really documents is the kitchen economy of a great restaurant: the fillets of eight tiny birds become garnish, and the carcasses — worthless anywhere else — are browned, simmered, pounded and forced through cloth into the soup itself.