The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3197

Pains" of Strawberries with Cream-Small

Petits Pains de Fraises a la Creme

Decorate the sides and bottom of a dozen timbale molds (No. 1, Fig. 137) that have been on ice with fresh strawberries cut in two, being careful to dip each piece in half-set jelly before applying it; then coat them with jelly, leaving an empty space in the center and fill this with a puree of candied pineapple mingled with some jelly and two spoonfuls of kirsch. Incrust a dome-shaped or pyramidical mold on ice, fill it with a puree of strawberries, to which melted gelatine has been added; thicken on ice, and let it get quite hard. Fasten on a cold dish a bottom of Genoese cake (No. 3239), slightly wider than the open part of the mold; scoop it out lightly so as to permit the strawberry "pain" to stand upright inside of it, then mask it over with apricot marmalade (No. 3675). At the last moment unmold the pyramid on this and let it stand till quite cold, then cover quickly with a bavarois preparation (No. 3135) flavored with lemon peel and vanilla and thickened on ice when needed. Unmold the small "pains" and dress them at once around the cream.

For the Modern Kitchen

A late-nineteenth-century composed cold entremet: a gelatin-set strawberry pyramid coated in Bavarian cream, ringed by a dozen jelly-lined individual molds. Nothing here is difficult, but it is all a race against melting, so the sequencing matters more than any single step.

A Little History

Pain here means loaf or block, the old French kitchen's word for anything packed solid into a mold and turned out whole, whether savory forcemeat or, as here, fruit purée bound with gelatin. Charles Ranhofer, who ran the kitchens at Delmonico's in New York for some three decades, gathered this and a few thousand other formulas into The Epicurean (1894), a book built on cross-references: the Genoese, the apricot marmalade and the bavarois all live at their own numbers elsewhere, so a cook was expected to be assembling from a repertoire rather than reading a self-contained recipe. Dishes of this kind belonged to the era just before mechanical refrigeration reached restaurant kitchens, when cold work depended on ice cut in winter, stored in ice houses and packed with rock salt in tubs — which is why the instructions keep returning to the ice rather than to a temperature, and why a strawberry pyramid standing upright on a cake base was worth the trouble as a display piece.