The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3229

Almond Biscuit

Biscuit aux Amandes

Beat one pound of sugar in a basin with fifteen egg-yolks, obtaining a very light mixture; add five ounces of sweet and one of bitter almonds, pounded finely with two egg-whites; continue to whip together for a few minutes longer, then add five ounces of flour, five ounces of fecula, two ounces of melted fresh butter and lastly twelve stiffly whipped egg-whites. Pour this preparation into a pound cake or "manque" mold lined with paper, and bake in a very slow oven. Turn out the cake as soon as done, transferring it to a grate to cool; mask the surface with apricot marmalade (No. 3675) and ice with almond milk fondant (No. 58). After this icing is dry slip the cake on a round board covered with lace paper and decorate the top with royal icing. Surround the base with a circle of fine large preserved cherries and lozenges of angelica.

For the Modern Kitchen Do not make this as written.

This is a full-size sponge from Charles Ranhofer's Delmonico repertoire, and it turns on an ingredient that is no longer sold as food. The notes below explain the terms and the problem.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of his long tenure running the kitchen at Delmonico's in New York, and its cake chapters read as French pastry transplanted whole into an American hotel. Biscuit here is the French term for a whipped-egg sponge, not the American quick bread nor the English cookie, and the almond version belongs to a long family of biscuits aux amandes built on separated eggs, ground nuts and a proportion of pure starch. The use of a small measure of bitter almonds against a larger measure of sweet ones was a standard European practice for centuries — bitter almond was the source of the marzipan and ratafia aroma before benzaldehyde was made synthetically — and it persisted in professional kitchens well past the point when the toxicity of amygdalin was understood. The elaborate finishing, with lace paper, angelica and glacé cherries, reflects how these cakes were used: set out whole as part of the dessert display, judged first by eye.