Mrs. Beeton's All About Cookery

The most trusted name in the Victorian kitchen, arranged A to Z: over a thousand recipes with the price of every dish worked out to the penny — including what to serve at a ball supper, and how to carve what you serve.

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Lard, to Melt

Melt the inner fat of the pig, by putting it in a stone jar and placing this in a saucepan of boiling water, previously stripping off the skin. Let it simmer gently over a bright fire, and as it melts, pour it carefully from the sediment.

Put it into small jars or bladders for use and keep it in a cool place. The flead or inside fat of the pig, before it is melted, ticularly wholesome. It may be preserved makes exceedingly light crust and is parcrust and is para length of time by salting it well and occasionally changing the brine. When wanted for use, wash and wipe it and it will answer for making into paste as well as fresh lard.

AVERAGE COST, 10d. per lb.

For the Modern Kitchen

A wet-jar rendering method: the fat never touches direct heat, which is exactly why the result stays white and neutral rather than tasting of cracklings. Worth following closely if you want lard for pastry.

A Little History

Rendering was a routine domestic task through much of the period this book covers: a household that bought pork in quantity, or kept a pig, ended up with fat that had to be turned into something storable. Lard did work that butter, oil and shortening are now split between, and the distinction between the soft leaf or flead fat and the firmer back fat was more widely understood than it is now. The insistence on the water bath reflects the pastry cook's priority, a fat with no flavour of its own; the same fat rendered hard was acceptable for frying and for the fat-and-flour crust of a raised pie. The salting note reflects the practice of keeping raw fat down in brine and rendering as needed, and the price given at the end, ten pence a pound, is one of the running features of the book.

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