The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1156

Flounders a la Jules Janin

Plies Carrelets ou Limandes a la Jules Janin

Remove the fillets from the flounders, from these remove the black skin, season, cover with a quenelle forcemeat (No. 90), pare, and fold them in two; lay these fillets on a buttered dish, moisten with white wine, pour over some butter, and set the dish in the oven. When they are done drain them into a sautoir, straining the liquid; reduce this with an espagnole sauce (No. 414) and Madeira; garnish the fish ranged in a circle with oysters, sliced truffles, and crawfish tails. Butter the sauce, pass it through a tammy, and pour it over the whole.

For the Modern Kitchen

Ranhofer writes for a brigade with stock pots already going, so the work here is mostly in the cross-references. Read them first: the forcemeat and the espagnole are the dish, and the flounder is the wrapper.

A Little History

Jules Janin (1804–1874) was the drama critic of the Journal des Débats for some forty years and was known in his lifetime as the "prince of critics" — a Parisian literary celebrity of exactly the kind that nineteenth-century chefs liked to name a dish for, alongside Rossini, Sarah Bernhardt and the Duc de Richelieu. Charles Ranhofer, who ran the kitchen at Delmonico's in New York and published The Epicurean in 1894, had trained in France and carried this whole vocabulary of dedications with him; his flounder chapter runs through Joinville, Janin and Madeleine in sequence, each a slight variation on the same operation of filleting, stuffing and saucing. The dish itself is a compact demonstration of classical fish cookery: the fillet poached in wine in the oven, the poaching liquid reduced back into the sauce so nothing is lost, and a garnish of oysters, truffles and crawfish that in the 1890s signalled expense as plainly as the name on the menu did.