The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2435

Tenderloin of Beef a la Evers

Filet de Boeuf a la Evers

This tenderloin is to be prepared and cooked exactly the same as for a la Bienvenue (No. 1445); when done, pare it nicely, and cut it into quarter of an inch thick slices; lay these in an oblong mold the same shape as the tenderloin but smaller than the one to be decorated. Reduce the gravy, add some aspic jelly (No. 103), (test the consistency of this by putting a small quantity of it in a mold on the ice, and if it should not be firm enough add some gelatine), fill in the mold containing the meat with this, and set it aside on ice to get very cold. Decorate the largest mold with pieces of tongue, pistachio nuts, and white of egg; cover the decoration with a heavy layer of jelly; unmold the one containing the meat, lay it in the center of the decorated one, and fill it in with jelly. Fill the entire center up to the inside of the dish destined for the tenderloin, edge with jelly, and when very firm unmold the tenderloin on to the center of it. Lay on each end half a nicely carved rice vase, these being filled with imitations of small truffles made of mousseline of foies-gras, and then rolled in finely chopped truffles. When cold dip them in partly cold jelly, and arrange chopped jelly all around, also oblong-shaped jelly croutons, and fasten three hatelets decorated in Bellevue (No. 2526) on the top of the meat.

For the Modern Kitchen

This is a set-piece from the cold buffet rather than a dinner dish: a cooked tenderloin sliced, reset in aspic inside a decorated mold, and presented on a rice-paste socle. Almost all the work is chilling and timing.

A Little History

The Epicurean (1894) was Charles Ranhofer's summing-up of some three decades as chef at Delmonico's in New York (his tenure there was interrupted in the 1870s), and its cold service section is the most French thing in it — an inheritance from Carême's pièces montées, in which food was built up on socles of rice, lard or wax, glazed in aspic, and finished with silver skewers so it would read, so to speak, from across a long buffet table. Names like "à la Evers" attach to dozens of these dishes; such names were commonly given for a patron, a party, or an occasion, though the practice is not documented dish by dish, and in most cases the person behind the name is now unrecoverable. What the recipe really records is a technique: jelly of controlled strength used as both glue and glass, with the meat suspended inside a second, decorated shell so the pattern of tongue, pistachio and egg white floats clear of it. The style survived in hotel garde-manger work well into the twentieth century before the cold buffet gave way to plated service.