The Twentieth Century Home Cook Book

Practical recipes and household wisdom from 1906 — when the icebox was high technology and dinner had nine courses.

HomeBread-Making › German Puff Paste

German Puff Paste

Take one pound of butter and one of flour. Mix the butter into one-half of the flour, using a knife; mix the remainder of the flour with the yolk of one egg and half a cup of milk; no salt; roll it out and divide it into four parts. Then divide the other portion in four parts; roll out one of the quarters without shortening; place one of the quarters, which has the butter in, on it, and fold over; then roll out; repeat this three times; do the same with the other quarters. This is enough for eight pies, for covers; the under crust can be made of the following: Three cups flour, one cup lard, one-half cup butter, one-half cup water; stir lightly with a knife.

II. Pies for Dyspeptics.

SOME persons will eat pies, when they know they disagree with them. If so, let them stick to the pies mentioned in this section, and if they must eat the crust, let it be made by taking equal quantities of Graham and white flour, wet with thin sweet cream, bake in a hot oven, as common pie-crust. Or take a piece of bread dough, after it has risen, and roll in a small piece of butter; roll out as pie-crust.

For the Modern Kitchen

This is a rough puff paste built in quarters rather than as one large block, which keeps each portion small enough to handle in a warm kitchen. The instructions assume a cook who already knows what laminated dough should feel like, so a few things need spelling out.

A Little History

Puff paste was the show-off pastry of nineteenth-century American cookery, and this version is a shortened one: butter worked into part of the flour first, then wrapped and folded only three times, rather than the many-turn French method that demanded a cool marble slab and a patient cook. Books of this period often carried more than one grade of pie crust, as this page does, with a plain paste for everyday and a laminated one saved for company. The note on "pies for dyspeptics" belongs to a wider Victorian preoccupation with indigestion, and to the influence of Sylvester Graham, whose advocacy of coarse unsifted wheat flour in the 1830s put his name on the flour and on a whole moralising tradition about rich pastry being bad for the stomach. That a cookbook felt obliged to legislate for people who would eat pie regardless of the consequences says a good deal about how central pie was to the American table.

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