High-Class Cookery Recipes

The National Training School of Cookery's own recipes, c.1906 — high-class dishes as taught, course by course, under royal patronage.

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Soufflé Potatoes

This dish depends for its success a great deal upon the kind of potato used-all potatoes will not soufflé; the best for this purpose are Dutch potatoes; and great care is necessary to have the fat used of the right heat. Peel the potatoes and cut them in slices of equal thickness, about an eighth of an inch each slice. You will require two pans of fat; the first pan must be only moderately hot, and the slices of potato must cook through in this slowly till soft, not crisp; if the potatoes blister or soufflé in the first pan they will not finish properly in the second one. When cooked and soft in the first pan of fat, finish them off in the second one, the fat in which must be very hot indeed, so that the slices puff up at once and colour a golden brown. Serve very hot.

For the Modern Kitchen

Pommes soufflées are the most temperamental thing in the classical potato repertoire, and this recipe is honest about it. The two points that decide the outcome are the thickness of the slice and the gap between the two fat temperatures.

A Little History

Pommes soufflées belong to the show-off end of nineteenth-century French cooking, and the story attached to them — generally repeated rather than documented — is that they were discovered by accident at the opening of a French railway line in the 1830s, when a delayed train forced a cook to pull half-fried potatoes from the fat and return them to a much hotter pan later. Whatever the truth of that, the double-frying principle behind them is the same one that underlies every good chip: a slow bath to cook the interior, a fierce one to set and colour the outside. What makes the soufflé version different is that the slice is thin enough for the whole interior to turn to steam at once, inflating the sealed skin like a small balloon. In a book of high-class cookery the dish functions as a test of the cook rather than a staple, which is why the recipe spends most of its length on the ways it can go wrong.

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