The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2980

Risot a la Ristori

Risot a la Ristori

Prepare a risot the same as with Piedmontese truffles (No. 2981); dress half of it in a casserole or vegetable dish so as to cover the bottom and sides; in the center place a garnishing of cocks'-combs and kidneys, escaloped duck's liver and sliced truffles; cover this garnishing with espagnole sauce (No. 414) reduced with Marsala wine; mask with the remainder of the risot and this with peeled halved tomatoes pressed out and fried in oil, keeping them as whole as possible. Serve apart a little clear gravy (No. 404) and grated parmesan.

For the Modern Kitchen

A composed risotto timbale from Delmonico's kitchen, built on the truffle risotto of the following entry and finished with a garnish that no longer exists in most markets. The construction is the point: two layers of rice with a sauced garnish sealed between them.

A Little History

Adelaide Ristori (1822-1906) was the leading Italian tragedienne of her century, famous for Medea and Lady Macbeth, and she toured the United States repeatedly from the mid-1860s onward. Charles Ranhofer, chef at Delmonico's for over thirty years, routinely named dishes for the singers, actors, politicians and financiers who ate there, and an Italian risotto layered with truffles and foie gras for an Italian actress fits that habit exactly; the attribution records who was being flattered rather than who cooked. The dish also shows how thoroughly Piedmontese risotto had been absorbed into the French grand-restaurant repertoire by the 1890s: the rice and the parmesan are Italian, but the espagnole reduced with Marsala, the cocks'-combs garnish and the moulded presentation are pure Carême-descended French service.