Celebrated Actor-Folks' Cookeries

Mary Pickford, Enrico Caruso, Lillian Russell and a hundred more stars of 1916 — each sharing the dish they actually cooked. The original celebrity cookbook.

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Amelia Summerville

AMELIA SUMMERVILLE
AMELIA SUMMERVILLE

AMBROSIA

(Food for the Gods) Have attractive-looking salad bowl-glass.

Have twelve large juicy oranges ready. One box strawberries. One pineapple (fresh or large can Hawaiian sliced pineapple). One box stoned black cherries.

Slice six of the oranges, removing seeds and rind, place a layer in the bowl, then a layer of strawberries, then a layer of pineapple, cut in small pieces, then a layer of cherries. Keep alternating layers of fruit until the bowl is filled. Take remaining six oranges and squeeze juice over contents of bowl.

A few maraschino cherries may be scattered over top of fruit. Place away in ice box three hours before serving.

This is the most delicious dessert imaginable. It is rightly named "Food for the Gods." Serve in large berry dishes. A little light cake (no icing), such as angel or plain pound, or sweet biscuits may be served with it. melind Summerlle

For the Modern Kitchen

A layered macerated fruit bowl rather than the coconut-heavy ambrosia most American cooks know. The only technique here is the maceration, so the fruit has to be worth eating on its own.

A Little History

Ambrosia is a Southern American dessert that turns up in printed cookbooks from the 1860s and 1870s, usually as little more than sliced oranges layered with sugar and grated coconut, the whole thing named for the food of the Greek gods. Amelia Summerville's version drops the coconut entirely in favor of pineapple, strawberries and cherries, which says something about the period: canned Hawaiian pineapple was a national grocery item by the 1910s, and out-of-season fruit made a bowl like this a piece of quiet extravagance. Summerville was a comic actress and singer who also wrote a popular reducing book, Why Be Fat?, which makes a fruit dessert served with unfrosted cake a fitting contribution to a volume of stage-folk recipes. The page ends with a facsimile signature, garbled here in transcription.

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